If there’s one writer who has the power to evoke emotion in me unexpectedly, it has always been Joan Didion. I say “unexpectedly” because Didion is not an overtly “poetic” writer; she works mostly in non-fiction, her style is spare, stripped-down, deemphasized, non-dramatic, straightforward. But her prose is deceptive; you’re reading some nonchalant lede, and suddenly you’re sitting right there next to Didion back in 1961 or whatever, sitting on a barstool in a train station, overhearing a conversation between two men that makes you think about some dress you used to wear. She pulls you in, transfixes you, raises the atmosphere of some foreign but familiar place all around you — just the way it must have felt.

One of my favorite of her essays, and one I think about often as I read more political and educational philosophy, is from her book The White Album. The story is called “On the Morning After the Sixties” – just the title itself is so beautifully evocative. It’s short – not even four full pages – but just devastating. And for me the central line in the story, the one I find myself thinking often about, comes — characteristically — quite casually, just about halfway through.
But let me set the scene.
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