
Years ago when I was a raft guide during the summer, it occurred to me that a raft trip, for my paying customers, was not only a form of entertainment, but was, at its best, a kind of narrative. It wasn’t enough just to show customers a good time, but they wanted an adventure, and, though they couldn’t express this, they wanted it to be in a kind of narrative form: a build-up, a progression, a constant ratcheting up of tension, followed by short periods of relief, reflection. Then more of the same.
It was more than just entertainment; it needed to have a kind of structure to it. The river where I guided had some of the right elements, particularly: the First Big Test rapid, and the Big Climax at the End. Unfortunately, the Nantahala River in North Carolina, perhaps the most- or second most-rafted river in the United States, lacks much of the excitement (and frankly enough of the water) needed to provide the kind of narrative story arc most customers wanted, and we typically ended up having to kill quite a bit of time, either avoiding shallow rocks, or making small talk, in the middle stages. I remember a lot of customers feeling vaguely let down for long stretches of time.
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